Walter Haettenschweiler
Walter Haettenschweiler is a Swiss type designer, born in 1933 in Zug. He studied at Kunstgewerbeschule Zürich, and from 1957 onwards he ran a design studio in Zug.

Typefaces
Haettenschweiler Typeface
Today, he is most famous for the black headline typeface Haettenschweiler. The font is used by the French magazine Paris Match for headlines and by the British football club Nottingham Forest - slightly modified - in its logo. Microsoft used it for Microsoft Office. He is most famous for the black headline typeface Haettenschweiler (1954)---a renaming of schmalfette Grotesk by Photoscript in the photo font era---, which made it to the Microsoft library in 1995 as part of Microsoft Office. Haettenschweiler was used by Paris Match for headlines. The soccer team Nottingham Forest has a logo based on it as well.
Haettenschweiler was designed in 1954 by Walter Haettenschweiler and Armin Haab on the basis of the narrow bold Grotesk. The narrow bold Grotesk was originally used for the book Lettera. This new narrow but very bold typeface was subsequently imitated by many others and had a significant influence on typeface design. For example, a similar variant of Helvetica (typeface) was drawn, called Helvetica Inserat. Impact (font) also has a similar design approach. Photoscript designed other versions of the narrow-bodied Grotesk, which were distributed under the name Haettenschweiler in honour of Walter Haettenschweiler. The typeface subsequently became known worldwide under this name.
Typeface List
His typefaces, often published in the Lettera book series (Lettera2, 1961; Lettera3, 1968 and Lettera4, 1972) all printed by Teufen.
Typeface | Year | Foundry | Collaboration |
---|---|---|---|
Abschattierte | |||
Africaine | |||
Aleman con Adorno | |||
Allshadow | 1969 | ||
Alphabet Art Nouveau | |||
Alphabets Capitale&Romain Penches en.... | |||
Alphabet Capitales de Fantasie | |||
Alphabet Majeur d'Anglaise Rubannee | |||
Alphabet de Broderies | Armin Haab | ||
Alphabet de L'Amour | |||
Arnold Boecklin | |||
Audrey Hepburn | 1951 | ||
Bauhaus | 1952 | ||
Beggarstaff | 1961 | ||
Black'n white | 1960 | Armin Haab | |
Blues | Armin Haab | ||
Boris Vian | Armin Haab | ||
Box-Letter | 1972 | ||
Breitfette Etienne | 1960 | ||
Breitfette Unziale | 1968 | Armin Haab | |
Broad | |||
Busride | 1969 | ||
Calder | 1952 | Armin Haab | |
Carnaby | 1967 | ||
Caron | 1952 | ||
Chelsea Type | 1967 | ||
Coal | 1969 | ||
Cocteau | 1951 | ||
Congo | 1952 | ||
Disney | 1952 | ||
Driving | 1975 | Armin Haab | |
Eckmann-Schrift | |||
Edelgotisch-Initialen | |||
Eleanora | 1970 | ||
Ella forever | Armin Haab | ||
Ellington | Armin Haab | ||
End | 1972 | ||
Expo | 1967 | Armin Haab | |
Für das Alter | |||
Fancy Letter | 1957 | ||
Fantail | |||
Favorit | |||
Flat Letter | 1967 | Beat Frick | |
Fraktur-Bastard | |||
Gaité | 1961 | ||
Girlish Face | |||
Green Leaves | 1960 | Armin Haab | |
Grotesk | |||
Haettenschweiler | 1954 | Microsoft, Linotype | |
Haettenschweiler Display | 2006 | ||
Haettenschweiler Face | 1970 | ||
Haetti-Antiqua | 1972 | ||
Halbstarke Pica | 1960 | Armin Haab | |
Happening | 1967 | Armin Haab | |
Historismus | |||
Jugendstil-Unziale | |||
Kalligraphia | |||
Klee | 1952 | ||
Knock out | 1967 | ||
Lawless Type | 1961 | Armin Haab | |
Lefthand drive lineale | 1975 | Armin Haab | |
Leslie | 1952 | ||
Lettre coupée | |||
Lettres Ombrees | |||
Lichte | |||
Lichte Italienne-Kursiv | |||
Lima | |||
Maidenform | 1960 | ||
Maotse | Armin Haab | ||
Marino Marini | 1952 | ||
Metropolitaines | |||
Mira | |||
Mondrian | 1952 | ||
New Fashion | |||
Nouvelle Vague | |||
OP-Letter | 1968 | ||
Oberoy | 1971 | ||
Ornamentale Antiqua | |||
Picasso | 1952 | ||
Plastische Verzierte Italienne Toscanienne | |||
Polyp | Armin Haab | ||
Roaring Twenties | 1967 | Armin Haab | |
Romantique | |||
Sacral Letter | 1960 | ||
Schenk ein Buch | 1953 | ||
Schmale Mediaeval | 1960 | ||
Schmalfette Grotesk | 1954 | ||
Schraffiert+abschattiert | |||
Schraffierte Etienne | |||
Sezession S | 1967 | ||
Shark | 1974 | ||
Siegfried | |||
Smoke | |||
Soutache | |||
Strada | 1967 | ||
Subway | 1971 | ||
Symphonie | 1952 | ||
TV-Letter | 1973 | ||
Teutonia | |||
Thalia | |||
That bad Eartha | |||
The Ugly American | 1972 | Armin Haab | |
Timeless | 1971 | ||
Tropic | Armin Haab | ||
Umrandete | |||
Unziale | 1967 | Armin Haab | |
Vanishing Letter | |||
Verzierte Antiqua | 1961 | ||
Verzierte Unziale | |||
Walhalla | |||
Wir Wunderkinder | Armin Haab | ||
Wornout | 1972 | ||
Wotan | |||
Yardley | 1967 | ||
Zierliche Antiqua | 1961 | Armin Haab |
Influence
Walter Haettenschweiler inspired the Schmalfette CP typeface designed by Jason Walcott.
Media
Visit our media section for a complete overview.